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James Hankins
The Arts


The World We Have Lost
Law and Liberty , May 31, 2024 (Review of The Holdovers ) It’s a well-known fact that historians generally don’t like historical...


Of, by and for the Freedmen (with Allen C. Guelzo)
The New Criterion , October 2020 (On the aesthetics and history of the Freedman’s Memorial in Washington, D.C.) Abraham Lincoln had...


A Monument to Our Shared Purpose (with Allen C. Guelzo)
The Wall Street Journal , June 29, 2020 (On the Freedman’s Memorial in Washington, D.C.) At the end of the Civil War, on April 11,...


Raphael, Interrupted
The New Criterion , June 2020 Poor Raphael! This year, the five-hundredth anniversary of his death, was to have been his year of glory....


The Restorative Power of Faith
The Wall Street Journal , April 10, 2020 (On Raphael’s “Transfiguration”) Late in 1519, the great Renaissance artist Raphael faced a...


Urbino Legend
The Spectator (World) , February 26, 2020 At the time of his death on Good Friday, 1520, Raffaello Sanzio of Urbino was the most...


Being Leonardo
The New Criterion, December 2019 One thing you have to say about Leonardo da Vinci is that he really packs them in. The last major...


Verrocchio: The Master’s Master
The New Criterion, September 2019 This year is the five-hundredth anniversary of Leonardo da Vinci’s death, and the museum world has not...


The Intimate Michelangelo
The New Criterion, December 2017 Fame often does an artist little good. Quite apart from the moral temptations, there is the danger of...
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