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Repertorium Brunianum
A Crititical Guide to the Writings of Leonardo Bruni

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Leonardo Bruni (1370-1444) was a celebrated historian, a model of humanist Latin style, a prolific translator of Greek texts, secretary to four popes, and chancellor of the Republic of Florence. He was also the most widely read author of the fifteenth century. Unlike most of his contemporaries, whose works survive in relatively few copies, Bruni's oeuvre has come down to us in thousands of manuscripts and hundreds of early modern printed editions.

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The Repertorium Brunianum undertakes the gargantuan task of establishing an exhaustive and authoritative catalogue of Bruni's works and providing a list of all the known manuscripts in which they are extant. This critical bibliography is meant to furnish "a guide and foundation for future studies of Bruni's works and their fortuna in later European thought and letters."

Published by the Istituto Storico Italiano per il Medio Evo, 1997

“Work such as the present one help us gain a more accurate historical sense of the relative importance of authors in their own time. To take an egregious example: no Italian humanist has been more studied in modern times than Lorenzo Valla, and he is often presented in modern studies as a gigantic figure on the stage of Renaissance letters … Yet Valla's writings, apart from the Elegantiae, which enjoyed moderate popularity, survive in fewer than a hundred manuscripts and a handful of printed editions. It is clear that his audience was confined to a small circle of professional humanists, and that he had been largely forgotten until rescued from oblivion by Erasmus in the early sixteenth century. Bruni, by contrast, emerges from this study of his textual tradition as a figure of extraordinary celebrity, known in every corner of Europe from Hungary to England. He was beyond doubt the most famous figure in the high literary tradition of the Renaissance between Petrarch and Erasmus. His works were to be found in the library of every prince and every gentleman in Europe.”
     —From the Introduction

© 2025 James Hankins

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